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Director John Ford’s first two westerns to be shown in Town Hall Theatre Aug. 8

WILTON – Even if you’ve won four Oscars for Best Director (more than anyone else), you had to start somewhere.

See the very first Westerns helmed by John Ford, who would later win multiple Academy Awards, in the next installment of the Town Hall Theatre’s summer salute to silent film westerns.

“Straight Shooting” (1917) and “Hell Bent” (1918), both directed by Ford when he was in his early 20s, will be shown as a double feature on Sunday, Aug. 8 at 2 p.m.

The screening is free and open to the public; a donation of $10 per person is suggested to support the Town Hall Theatre’s silent film programming.

The program will feature live music by silent film accompanist Jeff Rapsis.

“Both of these early John Ford Westerns are more than a century old,” said Rapsis. “They didn’t need to pretend to be in the ‘Old West’ because it was there all around them.”

Critics regard “Straight Shooting” as a landmark in the history of the Western. The first feature directed by Ford, it revived the career of early superstar Harry Carey, who gives a rough and tumble performance as a hired gun who turns on his employers to defend an innocent farmer and his family.

In “Hell Bent,” “Cheyenne Harry” (Harry Carey playing the same character from Straight Shooting) flees the law after a poker game shootout, and arrives in the town of Rawhide, where he becomes friendly with local cowboy Cimarron Bill and dance hall girl Bess Thurston.

When gang leader Beau Ross kidnaps Bess, Harry goes to desperate lengths travelling across the deadly desert in order to free Bess from her hard-bitten captor.

“Cheyenne Harry” is a role Carey would play into the 1930s, an amiable antihero who pals around with outlaws but who really has a heart of gold. Carey’s work was a pivotal influence on John Wayne, a later Ford collaborator.

Carey’s rugged frame and craggy features were well suited to westerns and outdoor adventures. When sound films arrived, Carey displayed an assured, gritty baritone voice that suited his rough-hewn screen personality.

As he aged, Carey transitioned from leading roles to character parts, including the President of the Senate in Frank Capra’s “Mr. Smith Goes to Washington” (1939).

John Ford, the only four-time Best Director Oscar winner, stands as an iconic figure in American cinema. In a career spanning five decades, Ford directed more than 140 films. He’s widely regarded as one of the most important and influential filmmakers of his generation.

Ford’s work was held in high regard by his colleagues, with Orson Welles and Ingmar Bergman among those who named him one of the greatest directors of all time.

Ford made frequent use of location shooting and wide shots, in which his characters were framed against a vast, harsh, and rugged natural terrain.

Upcoming titles in the Town Hall’s summer series of silent Westerns include:

• Sunday, Aug. 22 at 2 p.m.: Set in western Canada, “Mantrap” (1926) tells the story of a New York divorce lawyer on a camping vacation to get away from it all, but gets more than he bargained for with Clara Bow, then fast on her way to becoming Hollywood’s “It” girl. Directed by Victor Fleming, who would go on to helm “Gone With the Wind” (1939) and “The Wizard of Oz” (1939).

• Sunday, Aug. 29 at 2 p.m.: Our look at silent-era Westerns concludes with the genre’s lighter side. In “Womanhandled” (1925), Richard Dix tries to win his girlfriend by taking up the rugged cowboy life, only to find it not so rugged. In “Go West” (1925), Buster Keaton sends up the legends of the West with his timeless brand of visual comedy; includes perhaps the most unlikely love story in any mainstream 1920s Hollywood film.

Accompanist Jeff Rapsis will create musical scores for each film live during its screening, in the manner of theater organists during the height of silent cinema.

“For most silent films, there was never any sheet music and no official score,” Rapsis said. “So creating original music on the spot to help the film’s impact is all part of the experience.”

“That’s one of the special qualities of silent cinema,” Rapsis said. “Although the films themselves are often over a century old, each screening is a unique experience — a combination of the movie, the music, and the audience reaction.”

“Straight Shooting” (1917) and “Hell Bent” (1918), two early westerns directed by John Ford and starring Harry Carey, will be screened on Sunday, Aug. 8 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton. Free admission; a donation of $10 per person is suggested to support the Town Hall Theatre’s silent film series.

For more information, visit www.wiltontownhalltheatre.com or call (603) 654-3456. For more about the music, visit www.jeffrapsis.com.